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Baron Jean-Baptiste Regnault L ORIGINE DE LA SCULPTURE OU PYGMALION PRIANT VENUS D ANIMER SA STATUE oil painting


L ORIGINE DE LA SCULPTURE OU PYGMALION PRIANT VENUS D ANIMER SA STATUE
Painting ID::  75248
Baron Jean-Baptiste Regnault
L ORIGINE DE LA SCULPTURE OU PYGMALION PRIANT VENUS D ANIMER SA STATUE
Date 1786 Medium peinture X l'huile ; toile Dimensions 120 X 140 cm (47.24 X 55.12 in) cyf

   
   
     

Baron Jean-Baptiste Regnault Portrait of Jean-Pierre Bachasson, comte de Montalivet oil painting


Portrait of Jean-Pierre Bachasson, comte de Montalivet
Painting ID::  76656
Baron Jean-Baptiste Regnault
Portrait of Jean-Pierre Bachasson, comte de Montalivet
1810(1810) Oil on canvas 216 ?? 141 cm (85 ?? 55.5 in) cjr

   
   
     

Baron Jean-Baptiste Regnault Socrate arrachant Alcibiade du sein de la Volupte oil painting


Socrate arrachant Alcibiade du sein de la Volupte
Painting ID::  81313
Baron Jean-Baptiste Regnault
Socrate arrachant Alcibiade du sein de la Volupte
Oil on canvas, 1791. H. 46 cm (18 in.), W. 68 cm (26 ¾ in.) cjr

   
   
     

Baron Jean-Baptiste Regnault L'education d'Achille par le centaure Chiron oil painting


L'education d'Achille par le centaure Chiron
Painting ID::  81493
Baron Jean-Baptiste Regnault
L'education d'Achille par le centaure Chiron
L'Éducation d'Achille par le centaure Chiron (Achilles educated by Chiron). Oil on canvas, 1782. cjr

   
   
     

Baron Jean-Baptiste Regnault Socrate arrachant Alcibiade du sein de la Volupte oil painting


Socrate arrachant Alcibiade du sein de la Volupte
Painting ID::  81647
Baron Jean-Baptiste Regnault
Socrate arrachant Alcibiade du sein de la Volupte
Socrate arrachant Alcibiade du sein de la Voluptx (Socrates Tears Alcibiades from the Embrace of Sensual Pleasure). Oil on canvas, 1791. Dimensions H. 46 cm (18 in.), W. 68 cm (26 ¾ in.) cjr

   
   
     

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     Baron Jean-Baptiste Regnault
     Paris 1754-1829 French painter. His first teacher was the history painter Jean Bardin, who took him to Rome in 1768. Back in Paris in 1772, he transferred to the studio of Nicolas-Bernard Lepicie. In 1776 he won the Prix de Rome with Alexander and Diogenes (Paris, Ecole N. Sup. B.-A.) and returned to Rome, where he was to spend the next four years at the Academie de France in the company of Jacques-Louis David and Jean-Francois-Pierre Peyron. While witnessing at first hand Peyron's development of a manner indebted to Poussin and David's conversion to Caravaggesque realism, Regnault inclined first towards a Late Baroque mode in a Baptism of Christ (untraced; recorded in two sketches and an etching), then, in Perseus Washing his Hands (1779; Louisville, KY, Speed A. Mus.), to the static Neo-classicism of Anton Raphael Mengs.

     Related Artists::.
     | Lorenzo di Alessandro da Sanseverino | Louis Dewis | VIVARINI, family of painters |


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